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Cerebral Contents:
Update for 05.13.08:
Male Model by Phil Doran
Set to Replay by Willie Smith
Backsliding by Cynthia Ruth Lewis
Tree by G. David Schwartz
05.05.08:
Disintegration by Don Hucks
Five Feet and Building by Joel Van Noord
Grocery Aisle by Richard Lighthouse
Cross the Road by Ashok Niyogi
04.29.08:
Lookalikes by Phil Doran
Dinner by Brandi Wells
The Modern Covenant by Daniel E. Wilcox
Death by Onions by Michael Frissore
04.21.08:
Future's Children by Kimberly Raiser
Identity Theft by George Anderson
The Datists by Adam Engel
A Great Deal of Money by Justin Hyde
04.14.08:
Mr. Papaya and Dale by Eric Suhem
California by Caroline Imreibe
Aftermath of Vehement Argument #1,068 by Cynthia Ruth Lewis
Trip-Hammer Vitality by Lisa Nickerson
04.07.08:
The Florence of Basel, or Why Readers of Nietzsche Need to Read Burckhardt by Jeff Crouch
Slideshow by Miles J. Bell
Friends of the Poet by Sean C. Bowen
Picture Perfect by Leah Baldwin
03.24.08:
The Streak by Jeremy Hendrix
Grab Your Butts by Emme Hor
Far Away by Ashok Niyogi
Staring Down a White-Tailed Doe by Aleathia Drehmer
03.17.08:
The Hairbrush by Vernard Kennedy
Dog Days of Winter by Niall Berkeley
Poem From My Grave by Michael Lee Johnson
Mashed Potatoes and Hamburgers by Matt Finney
03.10.08:
Hard Work by Luis Cuauhtemoc Berriozabal
Jetty Cake Pigs by J.D. Nelson
I'm Quiet in Bed by Moctezuma Johnson
Tequila Shakes by Richard Lighthouse |
Slideshow
by Miles J. Bell
2 weeks into secondary school
I got the chance to learn an instrument
of my choice.
I already played the piano
but for reasons I forget
I signed up for a trombone.
Maybe I wanted to make a sound
somebody might hear.
My folks didn't mind,
maybe seeking deafness
to increase the enjoyment
of their conversations.
The trombone was a fingerprint-smeared gold
but had a new case.
I liked to carry it around
pretending I had a machine gun.
I could have played THAT pretty convincingly
at home.
Practising was OK
and I persevered dutifully
without getting very far.
Worse was the polishing
in the back garden on a weekend
my soundless breath in the air
concentrating on keeping Brasso
off my gloves.
Somehow I ended up in the district school's wind band
which rehearsed at another school.
Once a week
I carried the instrument and my school bag
across town
to sit for an hour
parping bass notes every now and then
in my role as
3rd trombone.
1st trombone had a beautiful battered
matte silver one
and the beginnings of his first moustache.
He got to play more or less
all the notes
all the time.
I waited for my cue
and watched the girls
in the woodwind section.
Most of them were from a school
whose uniform seemed to require
white ankle socks
and slightly too-tight
sweaters.
Then my stepfather would pick me up
and ask if I was getting any better.
I always lied.
The day of the concert came
the hall packed with resigned fathers
and cautiously proud mothers
everywhere
steam rising from damp coats.
There was a lever on the end of the trombone I pressed
before I blew out the collected spit
otherwise it affected the clarity
of those 5 or 6 vital parps per minute.
With the valve open, of course
the circuit was broken
and no sound escaped.
You can doubtless imagine
what happened next
but allow me the amusement
of colouring it in for you.
My finger slipped
during a pianissimo passage
of The Young Person's Guide to the Orchestra
and the trombone finally roared
with a sound like the world beginning
or ending
like near-missing taxicabs in Manhattan
like avalanches falling on churches
and God venting his fury
like a storm on the sun
with me in the middle
bright red but somehow
stupidly exhilarated with all the
attention.
I can't remember
when I gave up the trombone
but I did.
Maybe if it had grabbed me by the balls
like the poem
I wouldn't be typing this now
but getting my sharp suit pressed
and my porkpie hat ready
for the weekend's gig
in my band
Ska for Life.
______________________________________
Miles J. Bell is 36 and lives in England. His father was a boxer; his mother was a Cocker Spaniel. He has had around 100 poems published across the small press. His latest chapbook, Let's Get Visible is available from Blackheath Books (Google 'em!).
posted 04.07.08.
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